The
following blog on consent to sexual acts and representations was
written a week after Michael Peacock's acquittal and addresses the
CPS' guidelines on the OPA six-months prior to Simon Walsh's Trial.
There
is an update at the end of the blog, written today, on the current
state of the guidelines and the role of the CPS, BBFC and Met in
reviewing them...
“Would
you welcome an Anal Prolapse?”
This
question was put in open Court in the obscenity
trial of
the decade, R
v Peacock,
by prosecution counsel Mr
TimothyForster,
in cross-examining the defence expert witness in pornography, Dr
ClarissaSmith.
The
case of Michael Peacock may obtain infamy as an emblem of changing
societal values towards sexual representations; the twenty-first
century equivalent to the prosecutor’s question in the 1961 Lady
Chatterley’s Lover trial,
as to whether: “you would wish your wife and servants to read…
[this book]?”
Fifty
years ago Penguin Books were prosecuted under the then new Obscene
Publications Act 1959 (OPA)
on the basis that Lady Chatterley’s Lover contained obscenity like
the word “fuck” which could ‘deprave
and corrupt’ the
reader. The jury acquitted the publisher. Last week, defendant
Michael Peacock was unanimously acquitted by a jury at the Southwark
Crown Court of six counts of “publishing” supposedly obscene
DVDs, featuring acts of male fisting, urination and BDSM.
According
to a Home
Office consultation paper published
in August 2005, the strengths of the OPA’s ‘deprave and corrupt’
test “are said to be
that it is flexible and capable of interpretation by juries in line
with changing
moral standards.” As
I argued in a 2008 OPA case where the defendant faced six months in
custody; moral standards have changed towards pornography and
representations of consensual adult BDSM in the thirty years since R
v Holloway, the guideline case “for
those who commercially exploit pornography” from
1982.
I
argued that BDSM imagery had entered mainstream culture in the
previous fifteen years, from mainstream certified films such as:
“Quills,” “Secretary,” “The Piano Teacher” and “The
Notorious Betty Page”; to popular musicians such as Britney Spears
and Madonna adopting the iconography of BDSM; along with fashion
designers such as Vivienne Westwood, Alexander McQueen and Mulberry
designing fetishistic items such as corsetry and stiletto heels;
which are in turn worn by highly visible public figures like
Elizabeth Hurley and Angelina Jolie.
Over
the same period there had been a rise in the popularity of “fetish”
clubs open to members of the general public, such as “Torture
Garden” which has held events at the Barbican and Hayward Gallery
and is described as a “legendary
fetish club - the Torture Garden is a capital institution” by Time
Out; as well as
licensed high-street sex shops such as Ann Summers and Harmony
selling sex toys and implements like canes.
Perhaps
the most significant change was the proliferation of pornography
available for purchase or free on the internet, which increases the
ease by which such material can be accessed. Furthermore, The
Times described
the stated aim of the Criminal Justice and Immigration Act 2008 to
“regulate” such access in the following terms: “Censor
the internet? Try catching the wind… [since] Violent pornography
may be repellent to most adults but banning it from British computers
will be impossible”.
Sympathy
had also been expressed in the media for those who engaged in
consensual BDSM practices, such as the then current Max Mosely
“expose”. Matthew Syed commented in The
Times that: “disgust
carries not a shred of moral or legal force when it is directed at
those engaged in mutually consenting behaviour, whether it involves
sex, spanking or leopardskin handcuffs”.
Taken
together, these phenomena could be argued as being emblematic of
the “changing moral standards” of society towards those who
engage in BDSM activities. However, it could be suggested that the
reliance on juries to interpret “changing moral standards” simply
shifts the responsibility to define what sexual representations are
considered “obscene” from our legislators, the police, the
prosecution and our official censors the BBFC, onto the regular
individuals who sit on a jury.
Whilst
it could be argued that it is desirable for individuals on a jury to
arbitrate over the sexual representations that other individuals may
publish; the reticence by these authorities to engage with constantly
changing moral standards means that the burden also shifts to
individuals. Defendants such as Michael Peacock (who is to be
commended for his courage in contesting the charges against him),
face the unenviable prospect of an immediate custodial sentence
should their legal challenges on obscenity law fail.
However,
in last week’s Peacock verdict, I would suggest that the jury
identified that moral standards have changed even more
significantly. Consensual
adult fisting and urination are sexual acts that are perfectly legal
to perform in real life; but the representation of these acts was
previously considered to be obscene under the Crown Prosecution
Services (CPS) guidelines and therefore attracted criminal liability.
What has attracted less attention so far is that the jury’s
decision in Peacock seems to have inverted the distinction between
the actual sexual act and
the representation of
that act, with regard to consensual adult
BDSM activities.
The
definition of consent in Section 74 of the Sexual Offences Act 2003
(SOA) is that: “a
person consents if he agrees by choice, and has
the freedom and capacity to make that
choice”. However,
the issue of consent to “violent” adult BDSM is regulated by the
former House of Lords’ three to two majority decision in the 1994
case of R v Brown (colloquially referred to as the
"Spanner" case). The participants in Brown had engaged in
consensual male on male BDSM that “inflicted” injuries which were
more than merely “transient and trifling,” by breaking the skin
and causing bleeding. In delivering his Judgment in Brown, Lord
Templeman stated that:
"I
am not prepared to invent a defence of consent for sadomasochistic
encounters which breed and glorify cruelty[...] Society is entitled
and bound to protect itself against a cult of violence. Pleasure
derived from the infliction of pain is an evil thing. Cruelty is
uncivilized."
Hence
it would seem that an individual cannot consent to an Assault
Occasioning Actual Bodily Harm (ABH) as defined by the Offences
against the Person Act 1861.
The
current CPS Guidelines on ABH state that injuries normally prosecuted
under section 47 include: “temporary
loss of sensory functions, which may include loss of
consciousness; extensive or multiple bruising; [and] minor, but
not merely superficial, cuts of a sort probably requiring
medical treatment (e.g. stitches)”.
However
there is a dissonance between their Lordships’ decision in the
“homosexual” case of Brown and the Court of Appeal Judgment in
the 1996 "hetrosexual" case of R
v Wilson
wherein the
appellant admitted using a hot knife to brand his initials onto his
wife's buttocks, by mutual consent. Lord Justice Russell stated
that "consensual
activity between husband
and wife,
in the privacy of the matrimonial
home, is not, in our judgment, a proper matter for criminal
investigation, let alone criminal prosecution".
Irrespective
of this disjuncture, the Peacock case focuses exclusively on the
relative obscenity of the representation of
such acts, not the actual act itself. Excerpts from the DVD entitled
“HM:T2” were exhibited to the jury in Peacock. According to the
description of HM:T2 on the “hard-master” website, the DVD
featured the recipient being:
“Bound,
chained, suspended, caged, racked, whipped, impaled and subjected to
heavy electro and cbt and piercing… And he takes the lot. This dvd
does not hold back, welts bruises and blood are to be accepted when a
slave is used this hard”.
Thus
it could be argued that in holding the representation of such acts
not to be obscene, almost twenty years after Brown, that the jury of
regular citizens in Peacock were effectively rejecting Lord
Templeman’s dicta that “[consensual
sexual] cruelty
is uncivilized." In
light of the Peacock verdict, officers from the Metropolitan Police
SCD9 Abusive and Extreme Images Unit openly stated that they would
have to sit down with the CPS and the British Board of Film
Classification to “rethink” the charging standard guidelines for
sexual obscenity.
This
could mean we are effectively in a position where prosecuting
the representation of
consensual BDSM acts such as the drawing of blood is not considered
in the public interest; yet those performing those acts
(to
a level beyond merely transient and trifling) could still be
prosecuted? This contradiction seems to make little sense.
Like
Dr Clarissa Smith, who was asked the question, I might not welcome an
anal prolapse, but I support the right of those who wish to enact or
represent this activity.
Consequently
I question whether those engaged in consensual adult sexual acts or
representations should be prosecuted. It is my suggestion that a
wholesale rethink of the law on sexual consent is necessary.
UPDATE
The
above sentiments were expressed over six months ago, before Simon
Walsh's acquittal at the Kingston Crown Court for allegedly being in
possession of “extreme pornography” under section 63 of the
Criminal Justice and Immigration Act. The five images in question
depicted anal fisting and urethral sounding, both activities featured
in the Peacock Trial. At the time I expressed the view that the CPS,
along with the Metropolitan Police and the BBFC needed to review the
guidelines.
I
can report that, post Michael Peacock's #ObscenityTrial and pre Simon
Walsh's #PornTrial the CPS did indeed meet with representatives from
the Met and BBFC. However, I am told that the Peacock Trial was
considered to be a singular prosecution and therefore the result of
the review process was not to amend the guidelines in any way, shape
or form. Therefore more defendants may have to put their lives on
hold like Michael and Simon did whilst challenging such intrusive
prosecutions.
It
is my contention that the matter is now beyond the remit of the CPS,
Met and BBFC and that the subject requires the scrutiny of the Home
Secretary, Ministry of Justice and the Law Commission and that
questions should be asked in the House.